If you’re not watching The Good Wife, do yourself a favor and start at the beginning.
I have my own personal Best of TV List.
West Wing’s 17 People. Sherlock’s A Study in Pink. And His Last Vow. (I tried to pick just one. I really did.) Homeland‘s Q & A. Lost‘s The Constant. The Heroes pilot. Breaking Bad‘s 4 Days Out. Doctor Who’s The Doctor’s Wife. Quantum Leap’s M.I.A.. Gilmore Girls’ I Can’t Get Started. Star Trek: TNG’s The Inner Light. Fringe‘s Making Angels (or Bloodline strictly for Seth Gabel’s amazing performance.) The Alias pilot. And many more for a million different reasons. (I’ll be talking about more general tv awesomeness in future blog posts…)
They’re fresh. Inventive. They’re a pilot episode where you just know that the stories to come are going to be something spectacular. Stories where pieces of a character’s heart get revealed. Stories where The. Thing. You’ve. Been. Waiting. For. finally happens. They’re a twist in the backstory that now makes so much sense, and it’s all in the tiniest of details. Or — the writers take risks and send the story off in some wildly new direction that we didn’t see coming…
Enter The Good Wife’s Dramatics, Your Honor.
It was an early, quiet morning. And I can now add ‘emotionally traumatizing’to my list of things that make an amazing episode of television. (Seriously, how many showrunners actually release a letter to their fans?) Last night’s episode was far and away the gutsiest story move I’ve ever seen. (Yes, I’m keeping it as close to spoiler-free as I can while still making this coherent… or maybe I’m just trying to get you so intrigued that you have no choice but to join me in Sunday nights of The Good Wife.) Everything feels destroyed and up for review. It was ugly and shocking and unpretty. It was real. There was no dramatic and-now-we-have-a-speech scene. No wrap-up. Just a missing shoe and no one else who really, truly, viscerally cared about this moment outside of Continue reading “Dramatics, Your Honor…”
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