This is one of my favorite paintings on earth.
Meet Monet’s The Beach at Trouville, currently hanging in The National Gallery in London. It’s a painting of Monet’s wife and a friend of theirs, sitting on the beach and enjoying a leisurely afternoon.
And you know why I love it?
One of my favorite things to do here is wander the halls of all the amazing art museums here and live in the past for the briefest of moments. I admire brushstrokes and color choices, the way the light plays across the surface, the texture of the oil paint long since dried. I wonder if the subject ever imagined that this painting they were sitting for would ever be hung in a museum three centuries later. I laugh at these stunning “unfinished works” and “studies” — these painfully beautiful paintings that the artist dashed off in an hour or two one day, prep work for some bigger and better piece of art — the art they completed in a hurry, the kind that’s still leaps and bounds over anything 99.9% of painters could ever hope to accomplish.
And I wonder how the artist — Monet in this case — got inspired to paint a specific scene… what piece of his life — his dreams, his hopes, his terrors — he decided to save for us. Because life, your real life, in all its weird absurdities, always gets reflected in your art.
Which brings me back to The Beach at Trouville.
It’s one of my favorite paintings because there are still grains of sand and bits of seashell from that day — so long ago and so far away — embedded in the paint. Monet was really painting in that moment. It wasn’t a revisiting, it wasn’t a memory. It was now, this moment, right in front of me. Real life saved in the paint.
Metaphor become real. And our world is all the more beautiful for it.
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This was supposed to be another blog post. It really was. It was going to be all about London – and all about next adventures that are coming in my life.
Instead, I’m sitting here staring at my computer… my heart and thoughts and prayers firmly in Paris.
Je suis Charlie.
I’ll be honest. Until a few days ago, I’d never read Charlie Hebdo, with the exception of a few cartoons of theirs that went viral and made the news. I disagreed with some of them. I thought some of them were hilarious. But every single one of them made me think.
And I think that’s the point of art. Good art, anyway. (Bad art is a whole other ballgame… something I’ll talk about in a future post. Stop with the bad art, people.) Sometimes we find ourselves wrapped up in a tiny safe art/life bubble where everyone agrees with us on every point. It’s lighthearted and pretty and fun. It’s nice. But sometimes good art is meant to be subversive. It’s meant to make you think. It’s meant to make you uncomfortable. It’s meant to bring light in the darkness. It’s meant to bring hope to the oppressed, to draw attention and bring hope to the worst places on earth.
It’s meant to be a voice in the wilderness.
I write for tv. I write for the theater stage. I am a songwriter and performer. I paint on occasion.
And today, my heart is in Paris. Not because I am a comedic, incisive cartoonist with a seriously political bent. But because I am an artist.
For good art and good conversation and a better, more full world — and a reminder that we are not alone in our creative endeavors to create a more hopeful place to call home… It may be a completely uphill battle, a Sisyphean task of epic proportions — but that does not mean that we should ever stop trying.
Je suis Charlie.
(Art credit: Lucille Clerc)
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